The Grammar of Flowers

I salute that various field. James Schuyler 
 

Chamomile — an electric blanket
 
 
Bathing alone in an empty bathtub of moonlight
 
 
A symbiotic coexistence of everything being haunted
 
 
Hypnagogia — a collection of short stories woven into the sedge mat
 
 
A shadow’s echo speculates by the bleached wall of papyrus
 
 
An incense stick crumbles into ash —  a garden snake sheds its skin
 
 
Falling back asleep inside the mirror of dreams
 
 
The puddle’s canvas, catching watercolors of the rainbow rain
 
 
In the cemetery hospital, a ghost with hypertension gets an ablation 
 
 
A heavy metal album played backwards — “snoring”
 
 
The garbage can choreographs trash — emptying of disorder
 
 
A comingling of vowels into a diphthong intercourse
 
 
Vegetation grows in the third person
 
 
In the dark coolness of a culvert, the monster slakes his thirst with a lollipop
 
 
Dandelion — a procreating landmine
 
 
Woken up by the bright star of a poem’s voice
 
 
Paralyzed by a wicked spell of translation
 
 
The private symbolism of a curse — a lake whispers
 
 
A house lifts itself up —  unwritten epilogue
 
 
Earthworms and rotting leaves — the smell of a dog’s groin
 
 
Painting eggplants and pumpkins, “Dinner time”
 
 
In the candy store, children shoplift with their smiles — gummy bears levitate
 
 
Breeze of fresh air through a closed window — art museum
 
 
A memory of Etel Adnan carried by the morphing identity of fog
 
 
The house cat never really sleeps always daydreaming of killing
 
 
Sculpture of a coffin — sunflower 
 
 
Underneath the light fixture an illuminated biosphere
 
 
The font of poison ivy punctuated by red ants
 
 
Modern art — macaroni & cheese
 
 
A spaceship made of flesh
 
 
Ancient underground stream — surfacing worm eclipses moon
 
 
Punk rock Buddha meaning of life: Eat, sleep, and shit
 
 
A hermaphrodite’s silent monologue in the redwood forest — banana slug
 
 
The lily, the rose, everything in the garden that grows — a penis
 
 
A rooster crows — the pots and pans in the kitchen wake up singing Edith Piaf
 
 
In the house of mirrors, a vicious cycle of dreaming of dreaming
 
 
Doing laundry in the middle of the night — a spider’s mindset
 
 
A moth smashes into the lightbulb — confetti’s lack of concern
 
 
Polka dots everywhere: The Earth, the Sun, cough drops, you and me
 
 
The paintbrushes are also chopsticks — lunchbreak
 
 
Gojira’s radioactive heart leaking empathy into the ocean
 
 
Blind — “Draw what you see, not what you know”
 
 
The anatomy of language, each bone a syllable of the skeleton
 
 
A liminal orgasm between sleep and waking —
 
 
Understanding, the garden unfurls
 
 
Alice ate the pill and the pill ate Alice
 
 
A cigarette with a UFO ashtray
 
 
A rumble and vibration in the stomach, like a phone’s text message
 
 
Hypnopompia — the kteuy shines bright walking down the street 
 
 
Cutting open the lobe — continuous form blooms

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Jonathan Hayes

Jonathan Hayes has been responsible for publishing the literary journal Over the Transom since 1997. His last chapbook was Purposeful Accident, Holy & Intoxicated Publications, England, 2022, and his most recent book is Ghetto Sunshine & Other Poems 1997-2023, Mel C. Thompson Publishing, California, 2024. He lives in Oakland, California with his wife and their cat. Jonathan recommends the Black Panther Party Museum.